1973; Paco De Lucia En Vivo desde el Teatro Real. A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places, trying to find new things I can bring into flamenco.". 1987; Zyryab. Pohren described de Lucía as "extremely timid and retiring", saying that, "Being a very private person, [he] was dismayed at the ensuing popularity and lionization, and the increased pressure fame placed upon his shoulders, demanding that he constantly innovate and work harder to achieve technical and revolutionary perfection. Shop Official Paco De Lucia Merch, Vinyl Records, Shirts and More. [31] De Lucía performed on an episode of Parkinson on BBC in the UK, in which Michael Parkinson said "a marvelous young musician who is making his very first appearance on British television. Miles Davis, Thelonious Monk), profoundly influenced de Lucía, and sparked a fascination for jazz that remained with him throughout his life. [30] The early influences of the traditional players became increasingly less apparent as de Lucía embraced jazz and other influences, creating his own voice and distinct style, yet never venturing too far from his roots.[30][6]. "[53] "Gloria al Niño Ricardo" is dedicated to Niño Ricardo who was de Lucía's "first hero" of the guitar. He died on February 25, 2014 in Playa del Carmen, Quintana Roo, Mexico. [59] The album was critically well-received; Jazz Times praised the passion and rhythm of the musicians featuring on the album. "[6], The Guitar Trio continued touring in 1980, with Larry Coryell being replaced by Al Di Meola in 1981. It was released on Blue Thumb Records by Universal Music Spain S.L., and features four bulerías, two rumba tracks, a tangos and a tientos. [21] Richard Nidel said that their partnership was "central to the history of flamenco in the last quarter of the twentieth century. "[6] Atlanta magazine said, "The guitar, when used properly, can be one of the most haunting and beautiful instruments to create sound ... when he brushes his fingers across the strings, [he] can create some of the most incredible music. That year, he met Sabicas for the first time in Málaga. "[15] In 1958, at age 11, Paco made his first public appearance on Radio Algeciras. 21 Dec 1947 in Algeciras, Cádiz, Spain - d. 26 Feb 2014). Read Full Biography, The role of the flamenco guitar evolved considerably through the playing of Paco de Lucia (born Francisco Sanchez Gomez). [35] He was invited by Al Di Meola to record on his "Mediterranean Sundance" piece for his album Elegant Gypsy. While playing soccer with his son on the beach, he asked his wife to take him to the hospital because he felt a "strange coolness in his throat." It won the Latin Grammy Award for Best Flamenco Album in 2004 and the Billboard Latin Music Award for Latin Jazz Album of the Year in 2005. He began to show a very keen interest in jazz fusion and rock, and in 1977 performed with Carlos Santana in the Plaza de toros de las Arenas bullring in Barcelona. [29] Biographer Pohren describes Cepa Andaluza as a "phenomenal" bulerías, which is "accompanied by palmas, shouts of encouragement and general jaleo, and makes one want to leap up and dance. Mercurio, Paolo (2014). [84] Shortly after his passing, the regional government of the Community of Madrid announced that the new northern terminus of Line 9 of the city's Metro system would be named after him as a tribute. $902.81. Paco de Lucía recibió la influencia de dos escuelas, la del Niño Ricardo (1904-1972), considerado como una de las figuras más destacadas de la guitarra flamenca y el precursor más directo de Paco de Lucía, y la de Sabicas (1912-1990), a quien se considera como el máximo influyente en el desarrollo y perfeccionamiento de la guitarra flamenca como instrumento de concierto (antes, la guitarra era un instrumento de acompañamiento al cantaor). [37] Corea was a considerable influence on him in the 1980s and he and McLaughlin adapted a version of his piece Spain, performing it live together several times in the mid to late 1980s. I have never studied music, I am incapable of studying harmony—I don't have the discipline, playing with McLaughlin and Di Meola was about learning these things. Technically brilliant Spanish guitarist who worked with top flamenco artists and introduced countless innovations within the field. 1. [89] Along with Enrique Morente and Camarón de la Isla, de Lucía was the first artist to break away from traditional flamenco and form what is now known as nuevo flamenco. In 1992, he performed live at Expo '92 in Seville and a year later on the Plaza Mayor in Madrid. Siroco is often cited as his best album and one of the greatest flamenco albums of all time.[50][51]. [57][58] One track on the album, a tarantas, is dedicated to Sabicas. 1967; Fantasia Flamenca De Paco De Lucia. Ya echaba de menos hacer un disco . Esteban de Sanlúcar and Mario Escudero were also major influences on him and sources of inspiration. De Lucía formed the Paco de Lucía Sextet in 1981 with his brothers, singer Pepe de Lucía and guitarist Ramón de Algeciras, and collaborated with jazz pianist Chick Corea on their 1990 album, Zyryab. De Lucía died of a heart attack on 25 February 2014, while on holiday with his family in Playa del Carmen, Quintana Roo, Mexico. "[96] Craig Harris of AllMusic noted his "deeply personal melodic statements and modern instrumentation. A year later, he received a special award at the Festival Concurso International Flamenco de Jerez de la Frontera. [88], His album Fuente y Caudal (Fountain and Flow) has been cited by many to have changed the world of flamenco guitar beyond traditional flamenco culture. La Fabulosa Guitarra De Paco De Lucia. The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former a…. The album was named after a former convent of the same name located about 21 kilometres (13 mi) from Algeciras on the road to Jimena de la Frontera, which had recently been converted into a hotel complex. Retrieved 29 January 2020. El Mundo Flamenco de Paco de Lucia (Philips 63 28 025), 1971; Pepe de Lucia y Paco de Lucia (Triumph S 249 6202), 1972; Caminando (Polydor 813 488-1), 1983; El Orgullo De Mi Padre (Nuevos Medios NM 15 686 CD), 1995; Fosforito 1968-1972 EPs: Belter 52 190, 52 275, 52 361, 52 365; LPs: Belter 22 219, 22 360, 22 362, 22 587, 22 588 He played a set with his brother Ramón, in front of a relatively young audience without the use of effects. The renowned guitarist died suddenly and unexpectedly of a heart attack in Mexico in February 2014; he was 66 years old. His recordings with his sextet, which included his brothers Ramón and Pepe, include such groundbreaking masterpieces as La Fabulosa Guitarra de Paco de Lucia, Fantasia Flamenca, Fuente y Caudal, Almoraima, and Zyryab. Mastering the art of flamenco guitar by his 11th birthday, he made his public performance debut on Radio Algeciras in 1958. 1969; El duende flamenco. He trained with his father and brother from the age of five. Soon after, he lost consciousness and died. According to Gerhard Klingenstein, top jazz musicians who appeared at the festival (i.e. Paco de Lucía nació en el barrio de La Bajadilla de la ciudad andaluza de Algeciras, un barrio popular y predominantemente gitano. Antonio introduced Paco to the guitar at a young age and was extremely strict in his upbringing from the age of 5, forcing him to practice up to 12 hours a day, every day, to ensure that he could find success as a professional musician. His 1976 album, Almoraima, was a wider success and featured Almoraima and Río Ancho. [36] Di Meola informed the critics not to worry and that "Paco is not leaving flamenco, but expanding it. The rhythmic drive of the fast movements literally breathes within the beat, and the impassioned pathos of the Adagio makes … He toured again with José Greco in 1966 and recorded Ímpetu, a bulerias composed by Mario Escudero, [18] for his debut solo album, La fabulosa guitarra de Paco de Lucía (1967). 1975; Almoraima. Audio CD. He was considered a master of rasgueados / picados and was capable of playing with blinding speed on the flamenco guitar. "[47] In May 1986, he performed at the Centro de Bellas Artes Rock music festival alongside the likes of Earl Klugh, Spyro Gyra, and Dave Valentin. The city of Algeciras, de Lucia's birthplace, declared two days of official mourning. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. [52] Eric Clapton and Richard Chapman described La Barrosa, a sweet alegrías played in B major, as, "full of effortless delicacy with cascading phrases. [24] Guitar International mentioned his "very aggressive" approach to playing Ímpetu. [54][55] Several of his compositions from that album form the staple of his contemporary concert performances, and he often begins his concerts with La Cañada. 1981; One Summer Night. Pohren said that de Lucía's decision to work with musicians like McLaughlin, Di Meola, Coryell, and Chick Corea must have been an "exciting and stimulating" experience for him, given their technical musical knowledge and ability to improvise and said that they carried him "so far afield that at times he must have been profoundly confused, a man running the risk of losing his musical identity. [85], De Lucía was widely considered to be the world's premier flamenco guitarist and by many to be Spain's greatest musical export. "[45] In 1992, he performed live at the bullring at Seville Expo '92, and a year later on the Plaza Mayor in Madrid, playing "La Barrosa". The Fuente y caudal album was one of the best-selling Spanish records for several months and de Lucía and Torregrosa found that the additional instruments and approach away from traditional flamenco proved more popular with the general public. Only 5 left in stock - order soon. [24] He began working with record producer José Torregrosa. Only 1 left in stock - order soon. by Paco de Luc a and Dieter Hens. He understood this instrument, which he saw as a permanent solution to the need for percussion in flamenco. See full bio » His unconventional and modern approach to playing flamenco has already made him a big star in Europe, particularly in his native Spain. Next. Fez carreira como compositor, produtor e guitarrista. He was 66. In Spain and Latin America, any of these children with common first names would be referred to as follows: '"Name of Child", (son or daughter) of "Name of Mother,"' or "Paco (son) of Lucía" in his case, instead of using the child's last name. Paco de Lucía (Nombre artístico de Francisco Sánchez Gómez; Algeciras, 1947 - Cancún, México, 2014) Músico español, considerado como el guitarrista flamenco de mayor prestigio internacional. 03. His 1980 album, Interpreta a Manuel de Falla, paid homage to the classical composer and flamenco enthusiast, while his 1987 album, Siroco, marked a return to pure flamenco. 4.7 out of 5 stars 13. Along with Rubem Dantas, he added its percussive elements and it became an essential tool of contemporary flamenco and later, other international musical trends.[101]. The son of flamenco guitarist Antonio Sanchez and the brother of a flamenco guitarist, Ramón de Algeciras, and flamenco singer, Pepe de Lucia, Paco de Lucia extended the former accompaniment-only tradition of flamenco guitar to include deeply personal melodic statements and modern instrumentation. He was married to Casilda Varela. The event was broadcast on national WDR television. On 30 August 1981, de Lucía performed a solo set at St. Goarshausen in Germany, where he performed Monasterio de Sal and Montino among others and later performed with The Guitar Trio. The album is named after Ziryab, an 8th–9th century Shiraz-born poet/musician at the Umayyad court in Córdoba, credited with introducing to Spain the Persian lute, which evolved into the Spanish guitar—and according to some, established flamenco itself. Zyryab is a 1990 album by flamenco guitarist Paco de Lucía and his sextet. 1990; Concierto De Aranjuez. en directo. Yet, de Lucia did not completely forsake traditional flamenco. De Lucía composed original film scores for several films in the 1980s, including The Hit, a 1984 film in which he provided the soundtrack with Eric Clapton, with a minor contribution by Roger Waters. [26][27] As the 1970s progressed, de Lucía continued to produce groundbreaking albums and ventured into an increasingly unconventional and innovative style of flamenco with jazz influences. Paco de Lucía, who was born into a musical family and grew up to become one of the world's greatest guitarists, mastering flamenco music and finding new audiences by blending it with jazz and other genres, died on Wednesday in Mexico. His brother Pepe commented that de Lucía had quit a two-pack a day smoking habit 20 days earlier, and vowed to take up more sports activity after the death of his friend Félix Grande. Il Flamenco di Paco De Lucía nella Spagna moderna, in "Amici della Musica Popolare", This page was last edited on 5 January 2021, at 16:49. If you lack technique you lose the freedom to create. "[17] Like many other flamenco guitarists he often played a Hermanos Conde guitar and had his own signature model,[95] but had a range of guitars in his collection. 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